2022/11/13 – ARGENTINA – Mendoza, Santuario Maria Auxiliadora Rodeo del Medio 2022/11/12 – ARGENTINA – Mendoza, Iglesia San Francisco 2022/11/10 – ARGENTINA – Avellaneda, Iglesia Maria Auxiliadora 2022/11/09 – ARGENTINA – La Plata, Cathedral 2022/11/08 – ARGENTINA – Basilica Maria Auxiliadora y San Carlos 2022/11/06 – ARGENTINA – Buenos Aires, Catedral Metropolitana 2022/11/05 – ARGENTINA – Buenos Aires, Iglesia Nueva Apostolica Central 2022/11/03 – ARGENTINA – Buenos Aires, Quilmes Cathedral 2022/11/02 – ARGENTINA – Las Flores, Iglesia Nostra Senora del Carmen 2022/11/01 – ARGENTINA – Rauch, San Pedro Apostol Some recordings made during the tour can be found on YouTube – here. Information made by the Polish Embassy in Buenos Aires – here.

Letní číslo vychází v druhé polovině června 2022. Najdete v něm tyto články: Notová příloha: Fotografie na obálce: Varhany farního kostela v Kerharticích (Děčínský vikariát), postaveny rodinou Guthů z Čisté v pol. 19. století, nástroj byl původně umístěn v Mikulovicích u Kadaně.

Szostak, M. (2022) ‘Contextual inspiration and motive in persuasive creativity: lessons from artistic improvisation’, Discourses on Culture, 17(1), pp. 101–131. doi: 10.36145/DoC2022.05. Abstract: Based on the literature review and autoethnography, the article deals with the role of contextual inspiration and motive in persuasive creativity based on the theory and practice of performative art improvisation. Referring to the theory of the aesthetic situation, the analysis depicts that being a persuasive creator requires having a solid and conscious motive and proper trigger in the form of inspiration driven by the context and the environment. Furthermore, performative art improvisation reveals valuable issues for understanding persuasive creativity because the improvisation process is happening prompt without the possibility of its correction or repetition. Therefore, the creator

Szostak Michał, „The rebirth of Michael Engler’s treasure in Wrocław„,in: „The Organ”, No 400, May-July 2022, Musical Opinion Ltd, London, ISSN 0030-4883, pp. 4-19. Abstract: Fire and organs equal disaster and destruction of the cultural heritage. Nevertheless, fire and organs may be the beginning of something new that would not be born without tears and pain. We keep in mind the fire at the Notre Dame Cathedral in Paris when the whole world cried and followed how the fire had been consuming this masterpiece of architecture. On the other hand, we are the witnesses of rebuilding the cathedral itself and renovating the organ, which will undoubtedly be restored and somehow modified. It is not often that we see reconstructions that

Agenda: 14th June, 12:15, BRASIL, Rio de Janeiro, Igreja Nossa Senhora do Carmo da Antiga Sé– a recording of a piece from the recital 16th June, 20:00, BRASIL, Petropolis, Catedral São Pedro de Alcântara– a recording of a piece from the recital 18th June, 19:00, ARGENTINA, Buenos Aires, Quilmes Cathedral– article about the recital– article about the recital– article about the recital 19th June, 16:30, ARGENTINA, Buenos Aires, Metropolitan Cathedral– a recording of a piece from the recital 21st  June, 15:00, ARGENTINA, Rauch, San Pedro Apóstol– article about the recital 23rd June, 13:15, ARGENTINA, Buenos Aires, San Juan Bautista– a recording of a piece from the recital 24th June, 18:30, ARGENTINA, Buenos Aires, Chiesa Italiana-Mater Misericordia– a recording of a piece from

2022 ORGAN RECITAL TOUR USA & CANADA by Dr Michał Szostak, Poland